You should be able to apply these steps across a variety of DAWS, and also on any recorded element in your mix (vocals, drums, synths, etc). In today’s article, I’m going to run you through a handful of tips that should help you deal with clipping in most recording and mixing situations. Clipping is a problem that may completely obliterate your mixing process, however, it’s encouraging to know that this is a problem that can be both easily prevented and remedied. You’re probably dealing with a common nuisance known as clipping. This way everyone can enjoy your track under all circumstances.Have you ever listened to music on a set of speakers that sound like they’re breaking? Are you struggling to get the balance of your mix right because something is peaking in the red area of your master chain? And make sure your mix also sounds good in mono and stereo. Then it always sounds good and punchy on the dance floor.”įinally, switch mono and stereo regularly during the mixing process.
“For EDM, it is always smart to make your kick mono. If you record them accidentally in stereo, you can convert them to mono a well. Then your low-end sounds rock solid with the kick and sub bass. Or combine a low-end bass line in mono with a midrange bass line in stereo. Experiment with other percussion sounds.īass can be partially mono.
Then it always sounds good on the dance floor. Therefore, strategically combine stereo and mono sounds.įor dance, it is always smart to make your kick mono. Which sounds do you want to make mono in your mix?Īre you making a mix with only mono sounds? Then your track sounds solid on every speaker, but also boring and not very sexy.
Turn a knob all the way to the right, to convert a stereo sound to mono. Now when you send a sound to a mixer channel, you can use the Stereo Separation Knob of that channel.
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